Directing Shakespeare: a scholar onstage

Bridging the gap between text and performance

Creating Lear onstage

Cutting Shakespeare

A director's concept for The comedy of errors

Interacting with the actors : The merchant of Venice, King Lear, and Hamlet

Set design and theatrical presence in Julius Caesar

Adapting A midsummer night's dream for the cast, producer, and theater

A mirror for staging Hamlet : Rosencrantz and Guildenstern are dead

"Why, Sir, is Shakespeare eternal?"

Never too young, never too old.